It has remained popular since then.ASCII,EBCDIC-CP-BE (Western Europe),IBM CP 037 (English),IBM CP 1026 (Turkish),IBM CP 1140 (Western Europe),ISO Latin-1,ISO Latin-13 (Baltic),ISO Latin-15 (Western Europe),ISO Latin-16 (South-Eastern Europe),ISO Latin-2 (Central and Eastern Europe),ISO Latin-3 (Esperanto, Maltese),ISO Latin-5 (Cyrillic),ISO Latin-9 (Turkish),MS CP 1250 (Central and Eastern Europe),MS CP 1251 (Cyrillic),MS CP 1252 (Western Europe),MS CP 1254 (Turkish),MS CP 1257 (Baltic),Mac Central Europe,Mac Cyrillic,Mac Icelandic,Mac Roman,Mac Turkishīulgarian, Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Slovenian, Albanian, Serbian, Swedish, Turkish įutura was extensively marketed by Bauer Type Foundry and its American distribution arm by brochure as capturing the spirit of modernity, using the German slogan "die Schrift unserer Zeit" ("the typeface of our time") and in English "the typeface of today and tomorrow". The original metal type showed extensive adaptation of the design to individual sizes, and several divergent digitisations have been released by different companies.
The uppercase characters present proportions similar to those of classical Roman capitals. The lowercase has tall ascenders, which rise above the cap line, and uses nearly-circular, single-story forms for the "a" and "g", the former previously more common in handwriting than in printed text. It is based on strokes of near-even weight, which are low in contrast. Renner's design rejected the approach of most previous sans-serif designs (now often called grotesques), which were based on the models of signpainting, condensed lettering and nineteenth-century serif typefaces, in favour of simple geometric forms: near-perfect circles, triangles and squares. Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design.
Shaar (Extra Bold, Extra Bold Italic)įutura has an appearance of efficiency and forwardness.
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